Nagrade

Author Topic: Nagrade  (Read 80764 times)

Lidija

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Re: Nagrade
« Reply #45 on: March 22, 2017, 07:25:05 AM »
This Is Horror Award Winners

The winners of the 2016 This is Horror Award were announced on March 20. The winners were selected by an open vote on the organization’s website.

Novel of the Year: The Fisherman, by John Langan
Novella of the Year: The Ballad of Black Tom, by Victor LaVelle
Short Story Collection of the Year: Furnace, by Livia Llewellyn
Anthology of the Year: Autumn Cthulhu, edited by Mike Davis
Fiction Magazine of the Year: The Lovecraft eZine
Publisher of the Year: Word Horde
Fiction Podcast of the Year: The Other Stories
Nonfiction Podcast of the Year: The Lovecraft eZine Podcast

Lidija

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Re: Nagrade
« Reply #46 on: March 22, 2017, 07:26:21 AM »
Baen Memorial Winners


The winner of the 2017 Jim Baen Memorial Short Story Award, sponsored by Baen Books and the National Space Society, have been announced. The contest looks for stories which explore the promise of space exploration. The winner will be published as the featured story on the Baen Books main website and paid at the normal paying rates for professional stories and receive an award, membership to the 2017 International Space Development Conference, a year’s membership in the National Space Society, and a prize package containing various Baen Books and National Space Society merchandise.

Grand Prize: “Feldspar,” by Philip A. Kramer
2nd Place: “Bullet Catch,” by Stephen Lawson
3rd Place: “An Economy of Air,” by M. T. Reiten

Lidija

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Re: Nagrade
« Reply #47 on: April 03, 2017, 09:54:08 AM »
Prometheus Nominees

This year’s nominees for the Prometheus Award have been announced. The awards are presented by the Libertarian Futurist Society and winners will be announced in August at Worldcon 75, which will be held in Helsinki, Finland.


The Corporation Wars: Dissidence, by Ken MacLeod
The Corporation Wars: Insurance, by Ken MacLeod
The Mandibles: A Family, 2029-2047, by Lionel Shriver
The Core of the Sun, by Johanna Sinisalo, translated by Lola Rogers
Blade of p’Na, by L. Neil Smith

Lidija

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Re: Nagrade
« Reply #48 on: April 03, 2017, 09:55:10 AM »
Compton Crook Nominees

The Baltimore Science Fiction Society has announced the finalists for the 2017 Compton Crook/Stephen Tall Award. The award is presented for the best debut SF/Fantasy/Horror novel of the year and will be presented at Balticon 51 on the weekend of May 26-29, 2017. The winner is selected by a vote of the Baltimore Science Fiction Society membership.

Ninefox Gambit, by Yoon Ha Lee
Arabella of Mars, by David D. Levine
Sword and Verse, by Kathy MacMillan
Sleeping Giants, by Sylvain Neuvel
Too Like the Lightning, by Ada Palmer
Sleep State Interrupt, by T.C. Weber

Lidija

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Re: Nagrade
« Reply #49 on: April 05, 2017, 08:55:29 AM »
Hugo Nominees

This year’s Hugo nominees were announced by Worldcon 75 on April 4. All members of Worldcon 75, the 75th World Science Fiction Convention, are eligible to vote for this year’s winners, which will be announced at the Worldcon on August 12.



Best Novel

All the Birds in the Sky, by Charlie Jane Anders
A Closed and Common Orbit, by Becky Chambers
Death’s End, by Cixin Liu
Ninefox Gambit, by Yoon Ha Lee
The Obelisk Gate, by N. K. Jemisin
Too Like the Lightning, by Ada Palmer



Best Novella (1410 ballots)

The Ballad of Black Tom, by Victor LaValle
The Dream-Quest of Vellitt Boe, by Kij Johnson
Every Heart a Doorway, by Seanan McGuire
Penric and the Shaman, by Lois McMaster Bujold
A Taste of Honey, by Kai Ashante Wilson
This Census-Taker, by China Miéville


Best Novelette

Alien Stripper Boned From Behind By The T-Rex, by Stix Hiscock
“The Art of Space Travel,” by Nina Allan
“The Jewel and Her Lapidary,” by Fran Wilde
“The Tomato Thief,” by Ursula Vernon
“Touring with the Alien,” by Carolyn Ives Gilman
“You’ll Surely Drown Here If You Stay,” by Alyssa Wong



Best Short Story

“The City Born Great,” by N. K. Jemisin
“A Fist of Permutations in Lightning and Wildflowers,” by Alyssa Wong
“Our Talons Can Crush Galaxies,” by Brooke Bolander
“Seasons of Glass and Iron,” by Amal El-Mohtar
“That Game We Played During the War,” by Carrie Vaughn
“An Unimaginable Light,” by John C. Wright


Best Related Work

The Geek Feminist Revolution, by Kameron Hurley
The Princess Diarist, by Carrie Fisher
Traveler of Worlds: Conversations with Robert Silverberg, by Robert Silverberg and Alvaro Zinos-Amaro
The View From the Cheap Seats, by Neil Gaiman
“The Women of Harry Potter,” posts by Sarah Gailey
Words Are My Matter: Writings About Life and Books, 2000-2016, by Ursula K. Le Guin

Lidija

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Re: Nagrade
« Reply #50 on: April 13, 2017, 09:14:42 AM »
The Nominations for the 2017 Ditmar Awards, presented for excellence in Australian science fiction, have been announced. This year’s ceremony will take place at Continuum 13 the weekend of June 9-12 in Melbourne, Australia.


Best Novel

The Grief Hole, by Kaaron Warren
The Lyre Thief, by Jennifer Fallon
Squid’s Grief, by D.K. Mok
Vigil, by Angela Slatter
The Wizardry of Jewish Women, by Gillian Polack


Best Novella or Novelette

“All the Colours of the Tomato,” by Simon Petrie
“By the Laws of Crab and Woman,” by Jason Fischer
“Did We Break the End of the World?” by Tansy Rayner Roberts
“Finnegan’s Field,” by Angela Slatter
“Glass Slipper Scandal,” by Tansy Rayner Roberts
“Going Viral,” by Thoraiya Dyer


Best Short Story

“Flame Trees,” by T.R. Napper
“No Fat Chicks,” by Cat Sparks
“There’s No Place Like Home,” by Edwina Harvey


Best Collected Work

Crow Shine, by by Alan Baxter
Defying Doomsday, by Tsana Dolichva and Holly Kench
Dreaming in the Dark, by Jack Dann
In Your Face, by Tehani Wessely

Lidija

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Re: Nagrade
« Reply #51 on: April 13, 2017, 09:16:25 AM »
100 Year Starship has announced the finalists for the Canopus Award for Excellence in Interstellar Writing. The award recognizes works that contribute to the excitement, knowledge, and understanding of interstellar space exploration and travel. The winners will be announced on August 12, during the 100 Year Starship Nexus in Los Angeles.


Previously Published Long-Form Fiction (40,000 words or more):

The Long Way to a Small, Angry Planet, by Becky Chambers
Dark Orbit, by Carolyn Ives Gilman
Seveneves, by Neal Stephenson
The Three-Body Problem, by Cixin Liu, Translated by Ken Liu
Arkwright, by Allen Steele


Previously Published Short-Form Fiction (between 1,000 and 40,000 words)

“Slow Bullets,” by Alastair Reynolds
“The Long Vigil,” by Rhett C. Bruno
“The Citadel of Weeping Pearls,” by Aliette de Bodard
“Wavefronts of History and Memory,” by David D. Levine
“The Four Thousand, The Eight Hundred,” by Greg Egan
“Whom He May Devour,” by Alex Shvartsman
“Love and Relativity,” by Stewart C. Baker


Previously Published Nonfiction (between 1,000 and 40,000 words):

“A Terrestrial Planet Candidate in a Temperate Orbit Around Proxima,” by Guillem AngladaEscude, et al.
“A Science Critique of Aurora by Kim Stanley Robinson,” by Stephen Baxter, James Benford, and Joseph Miller
Welcome to Mars: Making a Home on the Red Planet, by Buzz Aldrin and Marianne Dyson
“Let’s All Go to Mars,” by John Lanchester
“Our Worldship Broke!” by Jim Beall


Original Fiction (1,000-5,000 words):

“The Quest for New Cydonia,” by Russell Hemmell
“Luminosity,” by Adeene Denton
“Mission,” by Yoshifumi Kakiuchi
“Envoy,” by K. G. Jewell
“Sleeping Westward,” by Lorraine Schein


Original Non-Fiction (1,000-5,000 words):

“Motivatingly Plausible Ways to Reach the Stars,” by James Blodgett
“Microbots—The Seeds of Interstellar Civilization,” by Robert Buckalew
“An Anthropic Program for the Long-Term Survival of Humankind,” by Roberto Paura
“Terraforming Planets, Geoengineering Earth,” by James Fleming

Lidija

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Re: Nagrade
« Reply #52 on: April 18, 2017, 08:34:12 AM »

Eugie Foster Nominees


“The City Born Great,” by N.K. Jemisin
“The Limitless Perspective of Master Peek, or, the Luminescence of Debauchery,” by Catherynne M. Valente
“Seasons of Glass and Iron,” by Amal El-Mohtar
“Ten Poems for the Mossums, One for the Man,” by Suzanne Palmer
“You’ll Surely Drown Here If You Stay,” by Alyssa Wong

Lidija

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Re: Nagrade
« Reply #53 on: April 18, 2017, 08:36:14 AM »
The British Science Fiction Association (BSFA) Award winners were announced on April 15 at Innominate, the 68th Eastercon, in Birmingham, UK.

Best Novel: Europe in Winter, by Dave Hutchinson
Best Short Fiction: “Liberty Bird,” by Jaine Fenn
Best Non-Fiction: 100 African Writers of SFF, by Geoff Ryman
Best Artwork: “Cover for Central Station, by Lavie Tidhar,” by Sarah Anne Langton

Lidija

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Re: Nagrade
« Reply #54 on: April 18, 2017, 09:12:02 AM »
The winner of this year’s Philip K. Dick Award for Best original paperback publication was announced at Norwescon on April 14. The Dick Award is sponsored by the Philadelphia Science Fiction Society and the Philip K. Dick Trust. This year’s judges were Michael Armstrong, Brenda Clough, Meg Elison, Lee Konstantinou, and Ben Winters.

Winner: The Mercy Journals, by Claudia Casper
Special citation: Unpronounceable, by Susan diRende

Lidija

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Re: Nagrade
« Reply #55 on: April 18, 2017, 09:13:24 AM »

The 2016 Aurealis Awards winners

Best Horror Novel: The Grief Hole, by Kaaron Warren
Best Fantasy Novel: Nevernight, by Jay Kristoff
Best Science Fiction Novel: Gemina: Illuminae Files 2, by Amie Kaufman and Jay Kristoff

Lidija

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Re: Nagrade
« Reply #56 on: April 18, 2017, 09:36:40 AM »
i... nova statueta WFA nagrade!


angel011

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Re: Nagrade
« Reply #57 on: April 18, 2017, 03:33:56 PM »
Verovatno se vode logikom da drvo, valjda, niko neće smatrati uvredljivim.

Lidija

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Re: Nagrade
« Reply #58 on: April 19, 2017, 08:52:15 AM »
Heh, videćemo... i staroj statueti je trebalo četiri decenije za procenu uvredljivosti, tako da, vreme će već pokazati kako se ova kotira. Istini za volju, teško je pronaći kako drvo može biti ikako uvredljivo, ali s druge strane, u neki  tako generalan simbol može se utrpati bilo šta. Otud se i admini nagrade trude da mu od samog početka instaliraju namensko značenje:
Quote
The Awards Administration wanted something representational that would reflect the depth and breadth of the fantasy field, from horror to high fantasy and all stops in between. Trees—good trees, evil trees, prophetic trees, harboring trees, forests full of demons, forests of sanctuary—turn up throughout art and literature from the very beginning. They represent life, strength, nature, endurance, wisdom, rebirth, protection; they symbolize the link between heaven and earth. In Christian mythology, mankind starts with the Tree of Knowledge of Good and Evil. In Norse mythology, the entire structure of the universe is dependent on the giant ash Yggdrasill, the World Tree, which many Eastern European countries see as a home to the spirits of the dead. Indian mythology has the cosmic tree Asvattha, and there are plenty of fantastical trees in Greek and Roman mythology too, including dryads, the nymphs who inhabit trees, the Dodona grove of prophetic trees, and Argo, Jason's ship, which maintained the magical properties of the tree which provided its wood.

The Green Man is a magical figure in many countries; druids are tied to the oak and the ash; some oak trees were thought to be oracular. Yews guard the entrance to the underworld, rowan keeps witches away. In Native American myth the hero Gluskap created humans by shooting an arrow into the heart of a birch. In Persia, the tree which grew from the decomposing corpse of the first human split into a man and woman, and the fruit became the other races of mankind. Buddha reached enlightenment under a Bodhi tree, which in turn inspired Robert Jordan's Chora trees.

Trees bestride fantasy literature, from Roger Zelazny's The Chronicles of Amber to Robert Holdstock's WFA-winning Mythago Wood cycle, C.S. Lewis' Narnia chronicles to Michael Sullivan's Age of Myth cycle, the godswoods of Westeros in George R.R. Martin's A Song of Ice and Fire, J.R.R. Tolkien's Ents and Enid Blyton's Magical Faraway Tree.

But not all trees are nurturing: it's the treatment of a Chora sapling which begins a bloody war in Jordan's books. Tolkien's Mirkwood is as evil as its denizens and Weasels and Stoats rampage around Kenneth Grahame's Wild Wood; J.K. Rowling's Whomping Willow has terrified millions, while Patrick Rothfuss' Cthaeh, lurk unseen in the branches of a giant tree in the fae realm. There's the baobab tree in Antoine de Saint-Exupéry's The Little Prince, Ray Bradbury's The October Tree, the apple tree in The Wizard of Oz, and many more.

Vincent Villafranca has encapsulated the worlds of fantasy in the branches of our new award, and we thank him.

Lidija

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Re: Nagrade
« Reply #59 on: April 19, 2017, 08:56:10 AM »
Nego, da vidimo šta se trenutno čita u Japanu:

The nominations for the Seiun Awards have been announced. The translation categories are presented below. The Seiun Awards are the Japanese fan-voted awards and winners will be announced at Donburacon, the 56th Japanese National SF convention, held August 26-27, 2017 in Shizuoka City.

Translated Long Story

United States of Japan, by Peter Tieryas, translated by Naoya Nakahara
The Complete Magnus Ridolph, by Jack Vance, translated by Hisashi Asakura & Akinobu Sakai
The Dandelion Dynasty, by Ken Liu, translated by Yoshimichi Furusawa
The Complete Roderick, by John Thomas Sladek, translated by Kiichiro Yanashita
The First Fifteen Lives of Harry August, by Claire North, translated by Hiromi Amagai
Imperial Radch trilogy, by Ann Leckie, translated by Hideko Akao
Enchanted Night, by Steven Millhauser, translated by Motoyuki Shibata
Translated Short Story

“Seventh Sight,” by Greg Egan, translated by Makoto Yamagishi
“The Day the World Turned Upside Down,” by Thomas Olde Heuvelt, translated by Jun Suzuki
“Backward, Turn Backward,” by James Tiptree, Jr., translated by Kazuko Onoda
“The Guiding Nose of Ulfant Banderōz,” by Dan Simmons, translated by Akinobu Sakai
“The Deathbird,” by Harlan Ellison, translated by Norio Ito
“Simulacrum,” by Ken Liu, translated by Yoshimichi Furusawa